Last Saturday June 4, we learnt that the first Monday of Biennale, Monday June 6, the Biennale was open. No news about it in the internet site, no information from the organizers (Biennale), no information from the commissioners (Aecid). We just did not know. I have to say, the exhibition structure of the Venice Biennale is much worse organized, or functioning, than an art center in the provinces of Spain. I have been in neighbourhood cultural centers in Valladolid that function in a far more efficient manner. This is chaos from beginning to end. Everything is made, and badly, for the four opening days. The other six months things are just left to rot.
So, Monday six, we decide to improvise, Eva Fabbris, the coordinator (this project would not be possible without her), me, and the performers, we decide to improvise a program called “Special avantgarde and embarrassment program”.
So here I transcribe it for you, our special program:
MONDAY 6 JUNE
SPECIAL AVANTGARDE AND EMBARRASSMENT PROGRAM
Instant Narrative
12:00 – Where do characters go when the story is over? by Dora García, performed by William Holden and Geoffrey Carey
13:30- Charles Filch, waiting.
16:00 – Just because everything is different it does not mean that anything has changed: The essential Lenny Bruce
17:00 - Rehearsal/ retrospective, by Dora García, performed by Geoffrey Carey and Alba Dal Collo, Roberta Da Soller, Michelangelo Miccolis, Marco Tonino.
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