As of today, we have a work of Emilio Prini in the pavilion. Luca Lopinto came to install it and to talk with me and some other people like Eva, Jan or Geoffrey, about Emilio Prini, fundamental, elegant, enigmatic artist. The Inadequate is most honoured and has become a bit better thanks to that… Continue reading ‘Emilio Prini’
Last Saturday June 4, we learnt that the first Monday of Biennale, Monday June 6, the Biennale was open. No news about it in the internet site, no information from the organizers (Biennale), no information from the commissioners (Aecid). We just did not know. I have to say, the exhibition structure of the Venice Biennale is much worse organized, or functioning, than an art center in the provinces of Spain. I have been in neighbourhood cultural centers in Valladolid that function in a far more efficient manner. This is chaos from beginning to end. Everything is made, and badly, for the four opening days. The other six months things are just left to rot. Continue reading ‘June 6: Day of avantgarde and embarrassment.’